“Reciprocity” Collective exhibition, September 19, 2025.
The Julio Larraz Foundation, in collaboration with Ascaso Gallery, opens this friday Reciprocity, an exhibition that pays tribute to the Cuban master’s legacy and his decisive influence on contemporary art. The opening reception will take place this evening, September 19, from 6 to 10 pm at the gallery’s Miami location.
The show presents Larraz’s works alongside those of eleven artists who, in different ways, have engaged with him in a creative dialogue shaped by inspiration and mentorship. The participants are Cooper Dragonette, Reyner Ferrer, Julio Figueroa Beltrán, Nelson Halil, Maia Larraz, Reinier Llanes, Jefreid Lotti, Heidy Love Larraz, Edel Lugones, Leticia Sánchez Toledo, and Jojacne Téllez. Each shares with Larraz a bond of artistic reciprocity, where his generosity and vision continue to resonate.
The Artist’s Family, Collective exhibition. July 18th, 2025.
A hotel intervention curated by Aluna Curatorial Collective.
Woman artist panel and coctel, Jun 14, 2025.
Regarding the closing of the group exhibition, there are only a few days left to see Petits: Women Artists Redefining Scale! Join us for a special artist talk and cocktail on Saturday, June 14, from 11 AM to 1 PM. It’s free and open to everyone—no invitation needed. Come celebrate the creativity and vision of these amazing women artists!
“Petits: Women Artists Redefining the Scale”, Colective exibition, April 6, 2025.
Pan American Art Projects presents Pétits: Women Artists Redefining Scale, an exhibition challenging the notion that bigger is always better. Featuring women artists who embrace small formats as acts of resistance and poetic strength, Pétits proves that powerful social and political commentary does not require vast canvases—only thought, precision, and intent.
“Neither Here Nor There” A juried group exhibition June 7, 2025.
“Curated by Yi Chin Hsieh, “Neither Here Nor There” revolves around in-between states and liminal spaces, incorporating themes of migration, displacement, and cultural mixture that typify life in Miami. The group presentation at MIFA (Miami International Fine Arts) gallery, just outside Doral, features work from more than a dozen artists.”
The Future of America, Collective Exibition. September 18, 2024.
The Future of America, is an exploration into the diverse and dynamic narratives that shape the destiny of the United States, now that the electoral process has polarized America more than ever.
This exhibition aims to accompany a current event that has been developing for several years with the previous candidacies. Against the backdrop of impending elections, this exhibition serves as a poignant reflection on the myriad possibilities and challenges that lie ahead for the nation.
“Intimate Pauses” Solo Show by Leticia Sanchez Toledo, September 23, 2023.
Pan American Art Projects is pleased to announce Intimate Pauses, a solo show of new paintings by Leticia Sánchez Toledo.
Intimate Pauses is, in many ways, Leticia Sánchez Toledo’s expression of her own interpretation and analysis of the diversity of visual language. These new paintings, which show the artist’s stunning approach to perspective and mood, also show her deep understanding of – and careful attention to – art history, cinematic history, and a broader context of women artists working today. In the following essay by Dr. Hamlet Fernández, he alludes to Sánchez Toledo’s historical references, especially those like American artist Edward Hopper, whose muted, modernist brushstroke was a vehicle for showing intimate domestic scenes. Sánchez Toledo inserts herself not only into that history but also into the wider dialogue of women artists like Scottish artist Caroline Walker or English-born Cece Philips, to name a few, who deal with similar styles and subject matters, notably the intimacy of female domestic spaces and a play with light, shadow, and line. Sánchez Toledo is also a student of film and a self-proclaimed lover of classic cinema. It is easy to tell that the artist is making explicit references to film, with compositions that are familiar motifs to cinephiles: the diner booth that haunts gangster movies of the 80s and 90s or the voyeuristic camera-woman that calls to mind Hitchcock’s Rear Window and its numerous remakes and reinterpretations, for example. It is clear that Sánchez Toledo is a skillful painter, but even more so, an excellent student of the art world, engaging with a sense of intellectualism and self-reflection.
“A mi me manda Carmen”, Collective Exhibition, March 10, 2023.
As part of our WOMAN IN THE ART program, the Museum of Contemporary Art of the Americas in Kendall has prepared the collective exhibition “A mí me manda Carmen”‘”: a tribute to the Cuban artist Carmen Herrera who passed away a year ago in New York City, where she lived for a large part of her life.
A group of Latina women artists have decided to pay a small tribute to her memory, her life, and her example. Cuban artists living in South Florida, other cities around the world, and in Havana, where Carmen was born on May 31, 1915, share their pieces with the public in Kendall and Miami-Dade County. The exhibition ‘Carmen Sends Me’ has been curated by the artist and guest curator Monica Batard, also a participant, and will be inaugurated in the first days of March 2023.
Among the invited artists, we highlight the presence of Cirenaica Moreira, Sandra Ceballos, Rocio Garcia, Lia Galleti, Marta Maria Perez, Lorena Gutierrez, and many others who freely share their vision, their perception of contemporaneity from the feminine perspective, partly thanks to predecessors like Carmen who broke down the barriers of her time so that today art created by women can be exhibited with complete freedom in most of the exhibition spaces in the United States and the rest of the world.
Curators Monica Batar and Jorge Rodriguez Diez.
“Punctum” Solo show by Leticia Sanchez Toledo, January 2019.
Exposición Personal / Centro de Arte Tomás y Valiente – CEART Fuenlabrada / Av. Leganés, 51 / Fuenlabrada, Madrid, España.
Después de valorar mucho el título de esta exposición opte por ¨PUNCTUM¨. Un extrañamiento una complejidad pero ofrecía la información que necesitaba trasladar y un poco de misterio par que la gente que no conociese el termino lo buscase y generase intriga. Siento que resume la esencia de el por qué mi selección de imágenes para la muestra, jugando más en el terreno del inconsciente, no siempre explicable, pero que aporta una dimensión extra a la imagen, salvaje y casual, producto de procesos intuitivos y viscerales. El punctum de una fotografía –señala Barthes– “es ese azar que en ella me despunta”. “Surge de la escena como una flecha que viene a clavarse”. El punctum “puede llenar toda la foto” (…) aunque “muy a menudo sólo es una detalle” que deviene algo proustiano: es algo íntimo y a menudo innombrable.